CALL FOR PAPERS: North American Conference on British Studies - Annual Meeting

Providence, Rhode Island, October 25-28, 2018
Deadline: 30 March 2018

The NACBS and its affiliate, the Northeast Conference on British Studies, seek participation by scholars in all areas of British Studies for the 2018 meeting. We will meet in Providence, Rhode Island, from October 25-28, 2018. We solicit proposals for presentations on Britain, the British Empire, and the British world, including topics relating to component parts of Britain and on British influence (or vice versa) in Ireland, the Commonwealth, and former colonies in Asia, Africa, and the Caribbean (etc.) Our interests range from the medieval to the modern. We welcome participation by scholars from across the humanities and social sciences, from all parts of the globe (not just North America), and from all career stages and backgrounds. We reaffirm our commitment to British Studies broadly conceived, and welcome proposals that reflect the diversity of scholars and scholarship in the field.

We invite panel proposals that address selected themes, methodology, and pedagogy, as well as roundtable discussions of topical and thematic interest, including conversations among authors of recent books, reflections on landmark scholarship, and discussions about professional practice. We are particularly interested in submissions that have a broad chronological focus and/or interdisciplinary breadth. Standard panels typically include three presenters speaking for 20 minutes each, a commentator, and a chair, while roundtables typically include four presenters speaking for 15 minutes each and a chair. We are open to other formats, though; please feel free to consult with the program committee chair.

We hope to secure as broad a range of participation as possible and will thus consider individual paper proposals in addition to the standard full panel proposals. Our preference is for panels that include both emerging and established scholars; we welcome the participation of junior scholars and Ph.D. candidates beyond the qualifying stage. To foster intellectual interchange, we ask applicants to compose panels that feature participation from multiple institutions. In an effort to allow a broader range of participants, no participant will be permitted to take part in more than one session in a substantial role. (That is, someone presenting or commenting on one panel cannot also present or comment on another, though individuals presenting or commenting on one panel may serve as chairs for other panels, if need be.) Submissions are welcome from participants in last year’s conference, though if the number of strong submissions exceeds the number of available spaces, selection decisions may take into account recent participation.

As complete panels are more likely to be accepted, we recommend that interested participants issue calls on H-Albion or social media (e.g., @TheNACBS on Twitter or on the NACBS Facebook page) to arrange a panel. If a full panel cannot be arranged by the deadline, however, please do submit the individual proposal and the program committee will try to build submissions into full panels as appropriate.

In addition to the panels, we will be sponsoring a poster session. The posters will be exhibited throughout the conference, and there will be a scheduled time when presenters will be with their posters to allow for further discussion.

The submission website is now open – submissions will close as of March 30 2018.

All submissions are electronic, and need to be completed in one sitting. Before you start your submission, you should have the following information:
  • Names, affiliations and email addresses for all panel participants. PLEASE NOTE: We create the program from the submission, so be sure that names, institutional titles, and paper titles are provided as they should appear on the program. 
  • A note whether data projection is necessary, desired, or unnecessary.
  • A brief summary CV for each participant, indicating education, current affiliations, and major publications. (750 words maximum per CV.)
  • Title and Abstract for each paper or presentation. Roundtables do not need titles for each presentation, but if you have them, that is fine. If there is no title, there should still be an abstract – i.e. “X will speak about this subject through the lens of this period/approach/region etc.”
  • POSTERS: Those proposing posters should enter organizer information and first presenter information only.
  • All communication will be through the panel organizer, who will be responsible for ensuring that members of the panel receive the information they need.

All program presenters must be current members of the NACBS by September 28, one month before the conference, or risk being removed from the program.

Some financial assistance will become available for graduate students (up to $500) and for a limited number of under/unemployed members within ten years of their terminal degree ($300). Details of these travel grants and how to apply will be posted to and emailed to members after the program for the 2018 meeting is prepared.

CALL FOR PAPERS: Re-reading Hebrew Scripture: Old Testament Cycles in Medieval Wall Painting

University of Milan - Università degli Studi di Milano, October 16 - 18, 2018

CFP Deadline: Feb 15, 2018

Rereading Hebrew Scripture: Old Testament Cycles in Medieval Wall Painting

The Chair of History of Medieval Art, Department of Cultural Heritage and Environment - University of Milan, organises an International Conference concerning the Old Testament narrative in medieval wall painting. Four thematic sessions are scheduled, calling for 20 minutes papers to be presented in Italian/English/French.

1st Session: Early Christian Pictorial Tradition and Early Middle AgesThe aim is to bring into focus the relationship between the monumental pictorial tradition set up in the early Christian Rome and its reworking in the early Middle Ages. To what extent did the paradigm of Santa Maria Maggiore, Old St. Peter’s and San Paolo fuori le Mura expressed its leading role in Old Testament sequences like those in Santa Maria Antiqua and Santa Maria in via Lata in Rome, in the Crypt of the Original Sin in Matera, or in St. John in Müstair? On the other hand, what was the impact of different models (also Byzantine), of patronage and liturgical space in setting the iconographic programme?

2nd Session: The Thematic and Narrative Development in the Romanesque PeriodThe widespread revival of early Christian iconography in the Romanesque period is reflected by the Old Testament narrative, which regains room in church decorations, especially dealing with the first part of the Genesis: mainly in the Roman area (Santa Maria in Ceri, San Tommaso in Anagni, San Paolo inter vineas in Spoleto, Castro dei Volsci, Ferentillo, San Giovanni a Porta Latina), but also in the South (Sant’Angelo in Formis, Santa Maria d’Anglona), in the northern Italy (Galliano, Agliate, Carugo, Muralto, Acquanegra), north of the Alps (Saint-Savin and Château-Gontier in France; Idensen, Brauweiler and Berghausen in Germany; Gurk and Matrei in Austria), and in the Iberian Peninsula (Bagüés, Sigena). The session will offer the opportunity to compare subjects, themes and solutions on a European scale, highlighting continuity, recurrences, peculiarities, deviations and anomalies.

3rd Session: Old Testament Cycles and Multi-layered MeaningUniversal chronicles remind us that an Old Testament cycle was primarily a historical and chronological depiction of the humankind on the path to salvation: the ‘visual device’ in the nave of Acquanegra is a clear example. Still, the events before the Incarnation shall be understood in a figurative sense, what is depicted in Agliate lining up the Creation of Adam and Eve precisely above the Annunciation and the Nativity. This does not preclude a manipulation driven by political claims, as seems to be expressed in the cycle of Joseph in San Marco in Venice. Therefore, a full account of the visual relationships within the liturgical space is required.

4th Session: The Role of Patriarchs, Judges, Prophets and KingsSince at least the mid 5th century, with the mosaic panels in the nave of Santa Maria Maggiore in Rome, the Hebrew Scripture has also been illustrated through the stories of its protagonists: Patriarchs (Moses and Joshua in San Calocero in Civate), Judges (Samson in Galliano and Civate, Gideon in Civate and Sant’Angelo in Formis), Prophets (Ezekiel and Daniel in Santa Maria in Cosmedin in Rome), Kings (David in Müstair and Malles), involving a wide range of meanings, relationships and implications, which are still waiting to be figured out.

SubmissionsProposals should cover a wide range of aspects concerning each session, giving priority to the iconographic approach, to the relationships with the liturgical space and to the historical-institutional frame. Topics dealing with the monumental contexts mentioned above are especially welcome.
Proposals will be evaluated by the conference scientifc committee.
Submissions for a 20 minutes paper (in Italian/English/French) should include: paper title, abstract of around 300 words, a short CV including current affliation and full contact details. All documents should be merged into a single PDF file.

Proposals and enquiries should be sent to: Old Testament 2018

ScheduleDeadline for submissions: 15 February 2018.
Notification to the applicants: by 31 March 2018.
Final programme: by September 2018.
It is expected to publish in a double-blind Peer review Series.
Speakers will be asked to provide a final paper by 30 June 2019.

Practical InformationThere is no registration fee for participation or attendance.
Coffee breaks, lunches, and dinners will be provided to all speakers. Travel and accommodation expenses cannot be covered, but every effort will be made to secure special hotel rates.

Conference DirectorFabio Scirea, PhD, Lecturer in History of Medieval Art
Conference Scientifc Committee
Mauro della Valle, Stella Ferrari, Paolo Piva, Fabio Scirea, Andrea Torno Ginnasi, History of Medieval Art, University of Milan